Powerful Man's Introspective Character Study: Toni Servillo Shines in Paolo Sorrentino's Artful Portrayal, According to 'La Grazia' Review
In the captivating film La Grazia, directed by Paolo Sorrentino, Toni Servillo portrays Mariano De Santis, a fictional Italian president grappling with the weight of his office and the complexities of his personal life.
Mariano, a man of integrity with ethical uncertainties, finds himself burdened by the responsibilities of his position, yearning for "leggerezza," or lightness, as the Pope poignantly notes. His life has been marked by loss, most notably the passing of his adored wife Aurora eight years ago, a loss he confides to the Pope.
The film deviates from typical portrayals of corruption and scandal in politics, instead focusing on the personal struggles of its protagonist. Mariano is faced with three pressing matters, one of which is a law to legalize euthanasia, causing him considerable apprehension due to potential public outcry.
Mariano's duties have decreased to the point where he finds himself discussing his sartorial choices with the editor of Vogue Italia. His personal life, however, is far from simplified. He is convinced that Ugo, his current partner's niece, was Aurora's lover, but Ugo vehemently denies the accusation.
The film's opening scene features a pumping techno beat and outlines some of the responsibilities of an Italian president. Among these responsibilities is the consideration of pardons, a task that brings Mariano face to face with individuals like Cristiano Arpa, a history teacher, and Isa Rocca, a convicted murderer.
Isa Rocca's pardon is proposed by Mariano's lifelong friend Ugo, who harbours ambitions of succeeding him as president. The encounter between Mariano's daughter Dorotea and Rocca in prison is particularly noteworthy. Dorotea finds Rocca rude and abrasive, but Rocca perceptively evaluates Dorotea, informing the government representative that she's living without breathing.
The film's characters are rich and complex, with Coco Valori, another old school friend and confidante of Mariano's, standing out. She turns up for dinner at the palazzo in her oversized glasses and chunky jewelry, talking nonstop about the pitiful state of Italy's art world and museums until she gets a look at the meager portion of fish being served and exits to hit a more lavish dinner.
La Grazia is a sober and mature film, with a distinct visual style and witty humour. It offers a refreshing take on the political drama genre, focusing on the human side of politics rather than the usual scandals and corruption. The film is a testament to Sorrentino's storytelling prowess and Servillo's acting abilities, making it a must-watch for any film enthusiast.
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