Powerful Man's Introspective Study: Toni Servillo Shines in Paolo Sorrentino's Marvelous Character Analysis by 'La Grazia'
In the world of Italian politics, the President holds a significant role – promulgating legislation, appointing state officials, and granting pardons. This role is the centrepiece of Paolo Sorrentino's latest film, "La Grazia," where Toni Servillo portrays Mariano De Santis, a fictional president of the Italian Republic.
De Santis finds himself in a moral quandary when faced with a law to legalize euthanasia. This internal conflict adds depth to his character, as he grapples with the ethical uncertainties in his final days in office.
The film also introduces us to Dorotea, De Santis' daughter, played by Anna Ferzetti. Dorotea is a formidable jurisprudence scholar, who visits Rocca, a murder convict, in prison. Initially finding Rocca rude and abrasive, Dorotea rethinks her decision after Rocca's insightful evaluation.
Rocca's name is proposed for a pardon by Ugo, Mariano's lifelong friend who aims to succeed him as president. Another individual whose pardon request is under consideration is Cristiano Arpa, a history teacher. The film delves into their stories, providing a glimpse into the weighty decisions that the president must make.
Mariano's confidantes, such as Colonel Labaro and Coco Valori, offer him comfort and advice. Labaro, his cuirassier, shares confidences with Mariano on the Quirinale roof, scenes shot against the twinkling lights of Rome at night. Coco Valori, another old friend, reveals the truth about Aurora's infidelity but remains tight-lipped.
The film is not just a political drama. It includes creative arias, witty humor, and visual delights that are hallmarks of Sorrentino's best work. A scene involving Mariano's favourite horse, Elvis, reflects on the theme of death and refusal to end suffering.
Mariano's personal life is also explored, with flashbacks to his first encounters with Aurora. However, a transgression from the past pollutes any solace gained from the memories. Mariano confesses his loneliness since Aurora's passing to the Pope, who advises him to seek "leggerezza" or lightness.
The film is a departure from real-world concerns, focusing on power, influence, and the weight of the past, without veering into sappy idealism. The closing moments encapsulate something Mariano has been searching for, with a reference to an Italian rapper Cosimo Fini and an astronaut in zero gravity.
In "La Grazia," Toni Servillo delivers a sober and mature performance, embodying a president grappling with his responsibilities and personal struggles. The film is a must-watch for fans of Sorrentino and Servillo, offering a thought-provoking exploration of power, morality, and the human condition.
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