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Staff members once were victims in a violent crime incident

Beethoven Festival Bonn to host a #MeToo discourse; controversy arises as the alleged victims are lesser-known figures. Shoko Kuroe discusses the peculiar management of this delicate matter.

Staff once victims transformed
Staff once victims transformed

Staff members once were victims in a violent crime incident

The Beethovenfest Bonn is hosting a thought-provoking event titled "Music Enables Abuse," which aims to break the silence about power abuse and sexual violence in the music industry. The event, part of the Inside Artists program and the Liz Mohn Foundation, features a concert discourse that promises to be both enlightening and challenging.

The artistic part of the event features pianist Daniel Arkadij Gerzenberg and soprano Sophia Burgos. Composer Hector Docx has set Gerzenberg's poetry, which explores his personal experience of abuse by a pediatrician, for the occasion. The program also includes well-known classical art songs about abuse, shedding light on the theme in a powerful and poignant manner.

However, concerns have been raised about the coherence of the overall program. Some argue that it may reproduce harmful narratives in the music industry, while others point out that the transition from the artistic aspect to the discussion part of the event is not seamless.

The discussion part of the event will be led by the Federal Commissioner for Sexual Abuse of Children and Youth, Kerstin Claus, Prof. Dr. Joerg Fegert, and Prof. Lydia Gruen. They will delve into the complexities of power abuse and sexual violence within the music industry, a topic that has long been shrouded in silence.

It is worth noting that perpetrators of music industry abuse often come from within the same circle, including leadership positions, making it difficult for victims to distance themselves and speak out. This issue has been particularly evident in the development of the Cultural Council's position paper "Shared Responsibility," where affected individuals have been excluded from the debate.

The target audience for this event is primarily adults interested in contemporary issues and socio-political topics through music and discourse. However, the focus of the event has shifted to include abuse within the music industry specifically targeting young adults as victims.

Despite sending invitation emails, the Beethoven Festival Bonn claimed not to know any affected individuals willing to speak on the panel. This has raised questions about the inclusion and representation of victims in the cultural sector.

The Federal Commissioner for Abused Children is only responsible for those who were abused as minors, leaving a gap in support for adult victims. It is often challenging to recognize and address non-criminal cases of sexual violence, particularly when the victims are adults.

The event underscores the need for a comprehensive approach to addressing power abuse and sexual violence in the music industry. It serves as a call to action for all involved in the cultural sector to ensure that the voices of victims are heard and their experiences are acknowledged.

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